Photograph by Mike Gutkin

the arbor hollows

So what, leaves scurry across Madison Square Park’s stoned paths.
Unbending characters as they fall through the air.
Too dead already to leave a cicatrice upon their wombs,
They find themselves again alive in the afterlife
Giving voice to loneliness.

And the wind itself, which kindly aborts leaves
Before their deciduous infects the trees,
Maintaining its cyclic taunting,
As does the external world of interaction-mingling.

In its silence, we’re left to ourselves, to ignore the social.
We do not see nor hear, nor need.
But there, again. It submits to busyness.
With audible leaves who know quite obviously how to behave together.
No time for contemplation where the wind is concerned.

Leaves don’t chatter among themselves about social norms or seasonal etiquette.
And until one becomes its branch’s sole survivor,
not even self-awareness will it have.
No sense of being a leaf, a free mind to enjoy the journey it’s on.

Have you heard a leaf run across the pavement?
An unmistakably desperate scurry toward nothing
Because choice never existed in a life fated for death.

How could it have been sprouted with any greater purpose,
Than to die?
It could never truly be, with any being outside itself,
But only coexist with other pawns for the duration of life before death.

Why is the leaf said to be more alive, or alive at all while on its branch?
Only because it grows, until it doesn’t.
And so death sets in.
Are we as alive as the leaf?
Do you remember when you stopped growing?

Photograph by Mike Gutkin

"Last Resorts" a poem

last resorts

In seasons we are, little but ourselves
straining our strangers through mirrors,
and emerging again, as neat shards of retractable dust.

We poof, we pout, we paint.
And still we end up looking the same,
at the legends of same, in the blood of same,
from the heartbreak of same.

Sometimes the nights move into days
before we have the chance to reconsider
our actions, our wealth, our skin.
Motives slide into decisions.

When we do evolve, our skirts billow
with the freshness of reflection.
Nights travel without distress, malingering under shadowy gauntlets
of childhood bliss, of mountainous duress, of the sensory caress.

Passing in and out of breath, we sleep
with more awareness than we ever had before.
For our souls, because we want to create.

 

December 2004

timeless dissent



Sanity cannot have meaning
      not as subject, nor as experience.
Insanity, at least, secured better references
      along the course of history.
Gender, as subject matter, fed the monster
      of revolt by making logic out of nothing.
If not geometric, our love stories belie reality.

And since angles exist in matter,
      love must have form and thus equation.
Cracked open, love does have four legs
      and three eyes, like anything.
But it need not see nor ambulate
      to be recognized

As the great obsession-objection of man.

 

October 2004

Photo by Tom Clark

 

Painting by Randall Paul O'Rourke

mutual muses

 

Wrapped in outdated expectations.
The aftershock of having let someone crawl up
Inside your brain to nest with charm.
And in there, suckle at your ravishing blackness.

In the scheme of bygones,
We’ve let charity equal sacrifice
And become the changeling children of the asexual.

The deadlines for forgetting
continually pave our paths with ruthlessness.
For those loves still unforgotten
threaten, as if from a flaming star too close.
Even when sitting quietly, the naughty midgets speak through our minds.
Plebian thoughts plague our not so plebian aspirations.

A poor man’s thrombosis
will infect
your unscheduled passions, if not careful.
And you’ll become another fragment of your imagination.
If careful, you can eat your fantasies, bless your own God, and
neuter
judgment flat.

 

December 2004

Painting by Randall Paul O’Rourke

Bunny Trashcan - Mumbai

jugular transcendent

Tumultuous tar pits ease themselves
into the disguise formerly known as “your anus.”
Do not tempt me; I will go there.
You’re so old that you’ve still got
the hard taco on the outside.
Just wear your diaphragm and a helmet;
your prominent jugular won’t get in the way, I promise.

An Indian nugget has deposited itself
into my overnight bag.
This is the last thing I need,
another pesky Hindu barging
its way into my consciousness.
Popsicle dreams never disappoint me.
I am a muse in disguise.
A bed of nails will do me just fine;
ascension will be my ultimate tribute.
Human beings are such cowards!
You may scoff at me. You may.
But others will not.
The natural order will reveal itself-
as not existing.

Do not please me, I refuse to be pleased.
It is not within my scope to accept mercury.
The last time we do it
will be just as the first, a medieval paradise.
Give me nuts and seeds;
let my vegetation do its glory.
Rate of Change = Rate of Loving
Do you see this?
Do you see me?
Do you love me?

 

May 2004

gestation

Sweetened lightning leaves streaks
          Of your essence on my skin.
Paper memories leave us behind,
          Panting, and wrung out of words.
Our future, pivotal and immediate, trusts the moon.

Still, logic betrays beauty with expectation.
Have you ever seen a shooting star
          Through the lens of impatience?
Chameleons do not change
          For the entertainment of others.

Petition my heart, not as a dying entity, but as renewal.

 

September 2004

Photograph by Tom Clark

 

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