by Gia

peregrina, variation 1 (still roving)

CIRCADIAN CLOCK NO.6 
from The Master Circadian Clock Cycles 1-8

Pergola on fire;
the reminiscent coalesces
with breathless robes of doubt.
Honeyed covenants perfuse,
lacking preemptive right.
Devout and impetuous,
demanding restless unquiet.
Premalignant perfunctory
consecrates, sanctifies
reams of abyss to exist.
Reminisce. Resist.
You are dismissed.

a variation on peregrina (the rover)

in waiting (patience)

CIRCADIAN CLOCK NO.4 
from The Master Circadian Clock Cycle 1-8

Patience is a woman who walks far ahead,
knowing too well what drives us,
connives us into
the brothels-of-mind.

We stew in her solace,
unable to forage meals without toll.
She shows us, six feet ahead,
how dawdlers get themselves
goosed
every time
for their troubles.

Clinging to sycophantic trance,
we’ll be our own pallbearers before
wisdom conjures up
the next sculptor’s hand.

“…patience is a woman,”
we wait for her.

misery, a poem

misery

 

Misery
roams deserted alleys.
Is gorgeous
in every city, blanketed.

A seductive gravity
ravishes, standing alone on a street corner.
She does not draw crowds
though every passerby and wall
slide her a sidelong glance.
Tall and willowy statuesque,
a voluptuous silhouette from collar
breastbone to pelvic pleat.
Her clothes are a sin.

Cruel confronting barriers,
she’ll climb your wall
before you heed wanton chances
to re-navigate Adam’s fall.

This girl is a woman who knows
why she pants and stalks the street,
what perineum beholds,
how to slacken her stack
then retreat.

Though when she enters your mind,
you alone in your apartment,
she is naked
for your scalpel eyes only,
bared rags of pristine flesh.

Why so prevalent?
Her bloodstains bereave smooth flesh.

As you shrivel into a plate of wrinkles,
all you can do is bemoan
that she did not come sooner.

 

by Fabian Perez

foster girl (the medium)

CIRCADIAN CLOCK NO.2 
from The Master Circadian Clock Cycle 1-8

Chasing on coattails of sex,
the animalistic bride
               gravitates
into the ring cycles
of her own spiraling sanity.
Time.

Erda warned her,
               “continue to believe,
               breed courage… ”
Smiling, she continued her gibber
into the wayward funnel of inner ear syndromes.

Mysterious gurl leftover from childhood,
gleeful peace spreads legs of mind as
electric blue heels
               assault
cobblestone streets
in neat click-clack patterns,
click-clocking to other less attuned orbs,
along international side streets,
               the earfuls
               of what they want to hear.

Executing perfect stares,
she refuses to fan or giggle,
nor will she release
her spent maidens of yesteryears.
               They’re in restoration.

The Norns already crawl her city-
too Madrid, Lisbon, Vienna, Seville-
in shattered bridal gowns,
floating gossamers
               soaked with red,
laced with brown.

               Barstooling alongside rectors of drink,
               her cross strands erect,
               betwixt
               legs of maidenhood.

Eyes pricked,
she eats at their sex holes,
scooping out fingerfuls,
and sniffing up the rest-
               addict that she is,
through laden conversation
and neat tricks.

But no one knows,
no man or woman could tell.

Their repressed chunks of sexual dough
yet unformed,
congest her filter
               with apathy
and funnel through, unchanged.
Left as dribble for the masses,
vomit on a bar-room floor.

She reverses her stride,
revert, retort, restore,
chiding all the way out the door.
               “Chill your feathers
               in ice water please… ”
Brunnhilde growls.

And her divine palindromes
did not release
               their exhaustive streak.
It was 2002.

(references to Richard Wagner’s epic musical drama
Der Ring des Nibelungen, a.k.a. “Ring Cycle”)

Painting “Saba with Red Wine”
by Fabian Perez

unnerving (the master)

CIRCADIAN CLOCK NO.1 
from The Master Circadian Clock Cycles 1-8

Sex
pathological,
pathologically lacking impetus, beholder,
you, Love.

Eros, settle, disarm.

Patience eludes the grand master
with the lightness of eloquence
and weight
of all the mores’ profundity
interpacked,
brimming with botulism
and you, Love.

Etiology
smears passion
across spokes of wheel,
spreads legs of soul
through soggy white of eyes
bleeding with

dishonest passion
denied,
not you, Love.

Joy is dead,
and with the sacrilege of sex,
the heydays of former lovers
fall away
like flakes of winter skin,
and finally
there’s you, Love.

Gia Lisa Krahne

firebath

A voice once told me of my beloved.
It told me my final path was through relationship,
that transcendence or peril would be mine through some Other.
This declaration of coming union sent me nearly mad!

Propelled by flame and disbelief,
I barreled back into the fountain of prophecy.
All the while remembering that from my mother’s womb
there dawned a haunting glimpse of future love.

Years later I emerged from the waters of hell
with naked starfish in my hair, startled, but eerily bathed of conditioning.
The slow trod forward of putting fresh limbs back into gait
re-grew a teacher in the place where mind once heaved.

The emergence of victory over death came as life,
the invitation, the acceptance, the reacquaintance, and nothing more.
Simple, clear being, bereft of wayward voices and fidgeting inner fight,
the flight to nirvana wontedly an hourless breath away.

Basking in the plentitude of signs over vast ages,
detachment had brought me so fully to the precipice of high existence.
Meditation, my complete existence. Loving, my one action.
And wham! The Other stood there.

No sooner had I said “How could this be? It is impossible!
I am unutterably alone and whole in my aloneness.”
than you appeared.

How could it be that attachment was begging forgiveness for my misgiving?
Just when I had so contentedly painted over the scars of oracles past
with fearless living and relentless discovery?
I became dismayed at the thought of becoming whole again through love!

No sooner had I laid my soul down to the earth to cry,
than I looked up in rapture.

My veins turned to canals from which harbingers of union sprung tall.
Through meditation, I took a blade to them;
and they gushed forth a tsunami of paradisiacal creatures’ mindfood.
Parrots flew by on giant great waves, asteroids landed in my freckles,
lust in my lunchbox, and embodying this world a must.
I saw the future. 

No sooner had I said “You have a magic in you that is only yours”
than I saw the very same magic was in me too.
The apocalypse of visions would not stop.
The avalanche images of completion shattered down on me
growing my heart organ into a universe.
You stood in the center of it; and I opened my arms to it all.

No sooner had I said “I am ready. Take me to my lover”
than I saw my own sex rising to meet you, then running ahead of me to the bay;
and there you were again in the curve of the shore, embracing my breaking body.
I saw galaxies of stars through the icy sea,
mountain peaks of vine-laden planets rise through my tea,
snow leopards bounding through strobing breakfasts.

Fire-capped treetops seared the pawpads of ecstatic lemurs
as they joined fingers with rings of rejoicing.

It turns out I had forgotten who I am.
To love had become the easy truth,
until love became a temporal reality.

How could I have known?
The ultimate kindling had just begun.

No sooner was I,
than you were too.

The firebath still yet to be.

Photograph by Tom Clark

Shadows Meet in India

spirits

We have lived and loved
from the privacy of our reserve,
               that reactive space
               just above the surface.
We inhabit the physical place
but abide by the passions
that govern ancient spirits
               afar.

In the playground of the knowers,
the lovers, the givers;
we are creators,
the authors of life,
               monkey-barred minds
               and sea-sawed hearts
               with sandy-floored souls.

Fueled by sensation,
we are those to whom
fear is only a myth,
               a story told by
               the Others.

 

December 2003

Photograph taken in Vindhyachal, India

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