by Gia

peregrina, variation 1 (still roving)

CIRCADIAN CLOCK NO.6 
from The Master Circadian Clock Cycles 1-8

Pergola on fire;
the reminiscent coalesces
with breathless robes of doubt.
Honeyed covenants perfuse,
lacking preemptive right.
Devout and impetuous,
demanding restless unquiet.
Premalignant perfunctory
consecrates, sanctifies
reams of abyss to exist.
Reminisce. Resist.
You are dismissed.

a variation on peregrina (the rover)

“all the rage” (a proposition)

CIRCADIAN CLOCK NO.5 
from The Master Circadian Clock Cycle 1-8

Jocular,
somber,
transcendent–

like a cat
wandering along sill,
eyeing the moon
with wide yellows
and long jowls;
you bleed.

Perch perch.
The Ninth Symphony
crawls into crashing sycophancy-
but only inside your head,
and in the flap flap
of domestic curtain ropes,
golden for you.

Die die.
Snowy Brooklyn hood
beckons
the peninsula’s lusty line
with wind bustling through porches.
Lady Manhattan, stoically xenophobic,
lies still beneath her cloak.

Prospect Park sleeps, as good as dead
hides the sleeping life
in her pillowy bed-
the hipster’s last
premature domestication.

I had a dream once,
this night in fact,
of sitting still
with pomegranate juice
rolling down my chin,
and of little bliss roller coasters
climbing up my brain.
               Somber,
               transcendent,
               fortifying–
ejaculate.

in waiting (patience)

CIRCADIAN CLOCK NO.4 
from The Master Circadian Clock Cycle 1-8

Patience is a woman who walks far ahead,
knowing too well what drives us,
connives us into
the brothels-of-mind.

We stew in her solace,
unable to forage meals without toll.
She shows us, six feet ahead,
how dawdlers get themselves
goosed
every time
for their troubles.

Clinging to sycophantic trance,
we’ll be our own pallbearers before
wisdom conjures up
the next sculptor’s hand.

“…patience is a woman,”
we wait for her.

by Fabian Perez

foster girl (the medium)

CIRCADIAN CLOCK NO.2 
from The Master Circadian Clock Cycle 1-8

Chasing on coattails of sex,
the animalistic bride
               gravitates
into the ring cycles
of her own spiraling sanity.
Time.

Erda warned her,
               “continue to believe,
               breed courage… ”
Smiling, she continued her gibber
into the wayward funnel of inner ear syndromes.

Mysterious gurl leftover from childhood,
gleeful peace spreads legs of mind as
electric blue heels
               assault
cobblestone streets
in neat click-clack patterns,
click-clocking to other less attuned orbs,
along international side streets,
               the earfuls
               of what they want to hear.

Executing perfect stares,
she refuses to fan or giggle,
nor will she release
her spent maidens of yesteryears.
               They’re in restoration.

The Norns already crawl her city-
too Madrid, Lisbon, Vienna, Seville-
in shattered bridal gowns,
floating gossamers
               soaked with red,
laced with brown.

               Barstooling alongside rectors of drink,
               her cross strands erect,
               betwixt
               legs of maidenhood.

Eyes pricked,
she eats at their sex holes,
scooping out fingerfuls,
and sniffing up the rest-
               addict that she is,
through laden conversation
and neat tricks.

But no one knows,
no man or woman could tell.

Their repressed chunks of sexual dough
yet unformed,
congest her filter
               with apathy
and funnel through, unchanged.
Left as dribble for the masses,
vomit on a bar-room floor.

She reverses her stride,
revert, retort, restore,
chiding all the way out the door.
               “Chill your feathers
               in ice water please… ”
Brunnhilde growls.

And her divine palindromes
did not release
               their exhaustive streak.
It was 2002.

(references to Richard Wagner’s epic musical drama
Der Ring des Nibelungen, a.k.a. “Ring Cycle”)

Painting “Saba with Red Wine”
by Fabian Perez

unnerving (the master)

CIRCADIAN CLOCK NO.1 
from The Master Circadian Clock Cycles 1-8

Sex
pathological,
pathologically lacking impetus, beholder,
you, Love.

Eros, settle, disarm.

Patience eludes the grand master
with the lightness of eloquence
and weight
of all the mores’ profundity
interpacked,
brimming with botulism
and you, Love.

Etiology
smears passion
across spokes of wheel,
spreads legs of soul
through soggy white of eyes
bleeding with

dishonest passion
denied,
not you, Love.

Joy is dead,
and with the sacrilege of sex,
the heydays of former lovers
fall away
like flakes of winter skin,
and finally
there’s you, Love.

peregrina (the rover)

CIRCADIAN CLOCK NO.3 
from The Master Circadian Clock Cycles 1-8

she keeps choosing the lot of them
who stretch carried-over torment
thin across her nipples
taut like insipid lust,
their pain.

the lovers who would be,
yet never will lie with she
drift sideways before eyes, a stream
of misbegotten waifs, once men, now geminis.

if only they were hustlers
pinching hipbones for dollars
or pungent sailors flooding her
furrowed welcome mat with callers.

but no,
there is he
who hides behind his gritty teeth,
and there is she who shutters at her sigh-
he who gets it up, then fondles her all awry.

“why oh why?” says she, in shambles,
replacing her nugget with two-fold flies.
when other others would be fierce
and praise God for the chance,

the innocuous illusory
strangles on his own artifice
his disappointing middle tones,
her quiet venefice.

for when she polishes off the day
and he phones in sick, sneaking groans
escape her crevice,
tick   tock   tick.

back to john she’ll slink
to the bed of home,
to biting lips and parting hips,
her amplified hours to think.

she’s bespectacled by night,
fogged-in by day,
refuses to take her midnight mangy
out to play.

for mangy’s an overly unctuous mess
malignantly pawing away at,
awaiting the preliterate
dreams of too much to confess.

at three in the morning,
foreshadowed comings
impale restless futility
on her own Eratos,
primeval virility.

in purpled shadows,
she gnaws away at Lorca’s feet,
at the pernicious stanzas,
landscapes, Andalusian meat.

breathless in robes of satin,
she’s a helix in nomadic haze,
a frustrated flesh
impressing onto bedroom mirrors
her flaming maze.

the reminiscent coalesces
with pale harmonies
re-wetting the slivers of doubt,
her vagabond body regresses,
sinless,
into violet clouds and tears.

with record player rippling
spinal hips curve to spleen
lightly, a coiling eroticism doubts
the perfect fledgling caprice
and finally,
feckless desires decease.

she stops forgetting who she is,
what her madness is about
a priori, a lamplit virginal,
impetuous in drought.

“where’s mangy?” she slurs,
“mangy, come out to play.”
stays hidden between legs
devout fertility endlessly purrs,
clawing away at indecipherable prey.

she’s clear about the meaning of sex,
the escape from rollicking deception
into cherished abandons
swimming in conception.

yet the others are not-
the ones she has chosen,
and foolishly embarked on with soul,
are drowning in preconception,
sycophantic pricks, half frozen by control.

to them, she’s swimming in madness,
tasting of precarious delight.
they see only a delectable obscurity
of precocious smells and precipitate sight.

oh, how the keeper of mangy
consecrates fevered hours to think,
yet night after night, one must shrink.
leave alone with wakefulness
its empty violet shell, her ink.

she dreams of her limestone lizard
in soft snow moonlight,
lifting his lethargic peace to her palms
sniffing and licking in like procession,

feasting on roasted heart, dripping blue love
over their alms.

her dragon has forgotten
broken chains with buried lovers
left in deserts past, it seems,
miseries lost, traced over forever
by the didactic banks of salt and sand
…..she dreams.

night after night,
the honesty of well-oiled seams
debates the covenants of love,
choosing to stretch

night after night,
carried-over torment
thin across her nipples
taut like insipid lust,
their pain, and thus

night after night,
finds herself always,
and again
alone
with aurora,
keeping stock
for indeterminate bliss.

peregrina leave, dismiss.
mangy come, exist.

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