faces in wood grain

blacklisted



Stubborn orifices of steel block my vision.
I am tapped;
though malignantly, not dripping.
Cosmic joke.
Clots of core being
surge out of my system,
lumping my cauliflower veins with yesterday
and liquefying said obstructions tomorrow.
In this fashion,
my core self has been leaving me
alone, hardly breathing
in a mire of self-pity.
My soul, I fear, now clumps,
petrified by judgment
and withering into tumors of former ambition.
It remains imprisoned by my frenzied ego
who’s encrusted by the fear that simmers with
the rite of internal suicide.
Jump.

by Gia

peregrina, variation 1 (still roving)

CIRCADIAN CLOCK NO.6 
from The Master Circadian Clock Cycles 1-8

Pergola on fire;
the reminiscent coalesces
with breathless robes of doubt.
Honeyed covenants perfuse,
lacking preemptive right.
Devout and impetuous,
demanding restless unquiet.
Premalignant perfunctory
consecrates, sanctifies
reams of abyss to exist.
Reminisce. Resist.
You are dismissed.

a variation on peregrina (the rover)

“all the rage” (a proposition)

CIRCADIAN CLOCK NO.5 
from The Master Circadian Clock Cycle 1-8

Jocular,
somber,
transcendent–

like a cat
wandering along sill,
eyeing the moon
with wide yellows
and long jowls;
you bleed.

Perch perch.
The Ninth Symphony
crawls into crashing sycophancy-
but only inside your head,
and in the flap flap
of domestic curtain ropes,
golden for you.

Die die.
Snowy Brooklyn hood
beckons
the peninsula’s lusty line
with wind bustling through porches.
Lady Manhattan, stoically xenophobic,
lies still beneath her cloak.

Prospect Park sleeps, as good as dead
hides the sleeping life
in her pillowy bed-
the hipster’s last
premature domestication.

I had a dream once,
this night in fact,
of sitting still
with pomegranate juice
rolling down my chin,
and of little bliss roller coasters
climbing up my brain.
               Somber,
               transcendent,
               fortifying–
ejaculate.

in waiting (patience)

CIRCADIAN CLOCK NO.4 
from The Master Circadian Clock Cycle 1-8

Patience is a woman who walks far ahead,
knowing too well what drives us,
connives us into
the brothels-of-mind.

We stew in her solace,
unable to forage meals without toll.
She shows us, six feet ahead,
how dawdlers get themselves
goosed
every time
for their troubles.

Clinging to sycophantic trance,
we’ll be our own pallbearers before
wisdom conjures up
the next sculptor’s hand.

“…patience is a woman,”
we wait for her.

Tom Clark Photography

meditation on a brazil nut

The starkness of a chestnut glazed table
willing to stare back at me with a dare.
It challenges with a static potential,
that which only a table can muster.
I cannot be envious of that.
But I do envy that on it sits a brazil nut
contoured by shadow.
A brazil nut that
too may desire purpose.
If it could,
if it were not
just a legume.
Though it too has grown out of itself.

I being more than a nut,
or at the very least
greater than or equal to,
do percolate with such desire.
But lying here, wrapped in chenille and scarves
find the realization of my purpose
much further off than the arm’s length
fulfillment of our artless brazil nut’s fate.
If I do extend my non-hungry palm
I will eat the nut, for the sake of Brazil.
I might.
But instead, as accustomed to,
I will not force purpose into my palm.

Thus, I continue to sit.
Encloaked less by blanket
than by denial.

misery, a poem

misery

 

Misery
roams deserted alleys.
Is gorgeous
in every city, blanketed.

A seductive gravity
ravishes, standing alone on a street corner.
She does not draw crowds
though every passerby and wall
slide her a sidelong glance.
Tall and willowy statuesque,
a voluptuous silhouette from collar
breastbone to pelvic pleat.
Her clothes are a sin.

Cruel confronting barriers,
she’ll climb your wall
before you heed wanton chances
to re-navigate Adam’s fall.

This girl is a woman who knows
why she pants and stalks the street,
what perineum beholds,
how to slacken her stack
then retreat.

Though when she enters your mind,
you alone in your apartment,
she is naked
for your scalpel eyes only,
bared rags of pristine flesh.

Why so prevalent?
Her bloodstains bereave smooth flesh.

As you shrivel into a plate of wrinkles,
all you can do is bemoan
that she did not come sooner.

 

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